The Inarticulate Renaissance explores the conceptual potential of the disabled utterance in the English literary Renaissance. What might it have meant, in the sixteenth-century "age of eloquence, " to speak indistinctly, to mumble to oneself or to God, to speak unintelligibly to a lover, a teacher, a court of law, or to be utterly dumfounded in the face of new words, persons, situations, and things? This innovative book maps out a "Renaissance...
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