6 Ergebnisse.

For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy...

Honey Meconi is chair and professor of music in the College Music Department and professor of musicology at the Eastman School of Music at the University of Rochester. Her many books include Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court. She is a co-winner of the Noah Greenberg Award for "distinguished contribution to the study and performance of early music.

Honey Meconi is chair and professor of music in the College Music Department and professor of musicology at the Eastman School of Music at the University of Rochester. Her many books include Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court. She is a co-winner of the Noah Greenberg Award for "distinguished contribution to the study and performance of early music.

Keine Beschreibung.

Examining the common compositional practice of borrowing or imitation in 15th-and 16th-century music, this text addresses how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. It provides an overview and sheds light on previously unexplored aspects of early musical borrowing.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.