14 Ergebnisse.

This fresh consideration of Harlem Renaissance critic Alain Locke offers new ways of understanding the cross-cultural genesis of African American modernism

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This volume - investigating the work of a particular photographer, in this case, James VanDerZee - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.

Keine Beschreibung.

Keine Beschreibung.

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Welcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and "race" during the 1980s. The ten essays collected here examine new forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific cr...

Moments of crisis and innovation in modernism's cross-cultural past, from the reception of modernist art in colonial India to the experience of African American artists in the New York art world of the 1950s.

A cross-cultural perspective on the aesthetics and politics of pop art.

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.¿

Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.¿

The first thematic and cross-cultural overview of the experiences of migration and displacement that characterize so much of twentieth-century art.

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