Arriving as a young writer in an ancient Dutch town, Benjamin Moser was flummoxed, as any newcomer might be, by the language, people, and culture. As he started exploring his newly adopted country, he stumbled upon the great painters of the Dutch Golden Age, that galaxy of sixteenth- and seventeenth-century artists-Rembrandt, Hals, and Vermeer among them-who seemed to be asking the same questions he'd been grappling with: Why do we make art? W...
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