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Genius poet: Fred Moten has built a reputation as one of the greatest living poets, as evidenced by his numerous accolades including a MacArthur Genius Award, a Guggenheim Fellowship, the Truman Capote Award, and his book The Feel Trio was shortlisted for the NBA. This book will be submitted to many major awards in 2023.Many different hats: Moten is a poet, critic, and professor at NYU, teaching black studies, performance studies, poetics and ...

Genius poet: Fred Moten has built a reputation as one of the greatest living poets, as evidenced by his numerous accolades including a MacArthur Genius Award, a Guggenheim Fellowship, the Truman Capote Award, and his book The Feel Trio was shortlisted for the NBA. This book will be submitted to many major awards in 2023.Many different hats: Moten is a poet, critic, and professor at NYU, teaching black studies, performance studies, poetics and ...

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This powerful collection highlights the importance of snapshots in Black American life: as tools to challenge stereotypes, and as a way to document family and cultureThoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s‿pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beg...

»The undercommons, its maroons, are always at war, always in hiding.« In drei Texten, drei Reden, drei Polylogen umkreisen und erweitern Stefano Harney und Fred Moten den Nicht-Ort dessen, was sie die Undercommons genannt haben, auf dem Weg zu einer »Alltagspraxis des Tuns und Schaffens, [...] einer (Per)Version des alten Griechischen Sinns von poiesis«. Dabei werden unterschiedlich starke Verbindungslinien zwischen objektorientierter Ontolo...

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Kristen Case and Alexandra Manglis have put together something beautiful and deep about how things go together in a place that sells, but no longer prides, itself on having figured out how things go together better than any other place, at any time. This anthology tells the truth and exposes that lie."--Fred Moten.oten.

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Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."--Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Stolen Life--the second volume in his landmark trilogy consent not to be a single being--Fred Moten undertakes an expansive exploration of blackness as ...

Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."--Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In The Universal Machine--the concluding volume to his landmark trilogy consent not to be a single being--Fred Moten presents a suite of three essays on Em...

Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and Stolen Life, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.

In Stolen Life-the second volume in his landmark trilogy consent not to be a single being-Fred Moten engages with the work of thinkers ranging from Kant to Saidiya Hartman, undertaking an expansive exploration of blackness as it relates to black life and the collective refusal of social death.

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Fred Moten is Professor of Performance Studies at New York University¿and the author of B Jenkins, also published by Duke University Press, In the Break: The Aesthetics of the Black Radical Tradition, and coauthor of The Undercommons: Fugitive Planning & Black Study.

Fred Moten is Professor of Performance Studies at New York University¿and the author of B Jenkins, also published by Duke University Press, In the Break: The Aesthetics of the Black Radical Tradition, and coauthor of The Undercommons: Fugitive Planning & Black Study.

In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on "The Burton Greene Affair, " exploring the tangled relationship between black avant-grade in music and literature in the 1950s and 1960s, the emergence of a di...

In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from an...

The Little Edges is a collection of poems that extends poet Fred Moten¿s experiments in what he calls ¿shaped prose¿¿a way of arranging prose in rhythmic blocks, or sometimes shards, in the interest of audio-visual patterning. Shaped prose is a form that works the ¿little edges¿ of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to ...