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From “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange and evolving presentThe first new collection since Evolution from the prolific poet, activist, and writer Eileen Myles, a “Working Life” unerringly captures the measure of life. Whether alone or in relationship, on city sidewalks or in the country, their ly...

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From 'the closest thing we have to a celebrity poet' (Paris Review) comes a stunning new collection of euphoric, anxious and indelible poems, perfectly in tune with our strange present.

Pathetic Literature is poet Eileen Myles’s first book since 2019, a showstopping anthology of 106 contributors both canonical and unpublished that features work they define as “pathetic, ” or appealing to a reader’s inherent sense of emotion.Myles has written an introduction and afterword to contextualize their use of “pathetic” and explain the project’s origins in a seminar they taught in 2005 at UC San Diego, where they first conceived of th...

Schreiben, so Eileen Myles, ist eine Art des Kopierens, des Aufzeichnens, des Festhaltens der unnachgiebig voranpreschenden Zeit, deren gnadenloser Strom sich mit Händen nicht greifen lässt - und so hält Myles sie in einem rabiaten Klammergriff des Blicks: schaut zurück auf ein Leben, das sich wild und kompromisslos der Vergängnis hingibt. Doch als eines Tages eine ganze Kiste voller unersetzbarer Aufzeichnungen verschwindet, tost ein Tornado...

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a ?Working Life? is Eileen Myles's first book of poetry since Evolution in 2019, which was warmly received in the New York Times Book Review, Vanity Fair, and Artforum, among others.Eileen Myles is one of the most well-known and well-respected contemporary poets working today, called ?one of the essential voices in American poetry? by the New York Times. Their last book, Pathetic Literature, was an anthology that collected work showing pathos ...

Pathetic Literature is poet Eileen Myles's first book since 2019, a showstopping anthology of 105 contributors both canonical and unpublished that features work they define as ?pathetic, ? or appealing to a reader's inherent sense of emotion.Myles has written an introduction and afterword to contextualize their use of ?pathetic? and explain the project's origins in a seminar they taught in 2005 at UC San Diego, where they first conceived of th...

Blending humor and meditation, this wide-ranging essay by the award-winning poet Eileen Myles is a candid record of the political, social, and aesthetic conditions that shaped them as a writer. It is also a thoughtful investigation into the way that writing is inescapably captive to time.

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The Hungry Years collects the early photographs taken by Pierson throughout the 1980s, which, since they were first editioned in 1990, have increasingly captured the attention of the art world. Informed in part by his artistic emergence in the era of AIDS, Pierson's work is moored by melancholy and introspection, yet his images are often buoyed by a celebratory aura of seduction and glamour. Sometimes infused with a sly sense of humor, Pierson...

In this third Why I Write volume, Eileen Myles addresses the social, political, and aesthetic conditions that shape their work

Eileen Myles erzählt ungeschönt und unverblümt davon, wie es war - damals in New York - als alles möglich schien, als Warhol jedem 15 Minuten Berühmtheit versprach, als Allen Ginsberg noch zu deiner Buchpremiere kam, wenn du ihn einludst, als noch alle mit allen im Bett gelandet sind, und es immer irgendjemanden gab, der Alkohol oder Drogen dabei hatte. Doch nicht nur um wilde Eskapaden geht es, sondern auch um die katholische Erziehung in den...

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Met Chelsea Girls maakt Myles een documentaire van haar leven, die niet alleen haar eigen identiteit verkent maar ook die van een hele feestende, flitsende, ten onder gaande generatie. Ze fileert haarfijn haar kindertijd in Arlington toen ze op een strenge katholieke school zat en de impact van de dood van haar alcoholistische vader waarvan zij de enige getuige was. Eileen was voorbestemd voor grootse dingen, van dat besef was ze altijd al doo...

Myles' collection finds the game-changing writer keying lines in an idiomatic, euphoric style that The New York Times has called "one of the essential voices in American poetry.