13 Ergebnisse.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This anthology on otherness and the media, first published in 1993, was prompted by the proliferation of writings centring on issues of 'difference', 'diversity', 'multiculturalism', 'representation' and 'postcolonial' discourses. Such issues and discourses question existing canons of criticism, theory and cultural practice but also because they suggest a new sense of direction in theorisation of difference and representation.

A transnational array of distinguished critics, including David Morley and Ella Shohat, discuss the ways in which film, television, music, computer and electronic media are shaping identities and cultures in a globalized world.

Keine Beschreibung.

Keine Beschreibung.

In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.

Presents the history of Iranian cinema, covering the revolution at the end of the Shah's regime and the establishment of the Islamicate state. This title shows that the government was not against film per se, only against the portrayal of particular themes or behaviors.

Hamid Naficy is Professor of Radio-Television-Film and the Hamad Bin Khalifa Al-Thani Professor in Communication at Northwestern University. He is the author of An Accented Cinema: Exilic and Diasporic Filmmaking, The Making of Exile Cultures: Iranian Television in Los Angeles, and (in Persian) Film-e Mostanad, a two-volume history of nonfiction cinema around the world. Naficy helped to launch ongoing annual Iranian film festivals in Los Angel...

Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.

Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.

Hamid Naficy is Professor of Radio-Television-Film and the Hamad Bin Khalifa Al-Thani Professor in Communication at Northwestern University. He is the author of An Accented Cinema: Exilic and Diasporic Filmmaking, The Making of Exile Cultures: Iranian Television in Los Angeles, and (in Persian) Film-e Mostanad, a two-volume history of nonfiction cinema around the world. Naficy helped to launch ongoing annual Iranian film festivals in Los Angel...

The first of 4 volumes in the definitive history of Iranian fil.

In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.