10 Ergebnisse.

Il pero fiori a dicembre' è un grande romanzo drammatico di formazione su sfondo storico. Dopo una vastissima produzione poetica in albanese e in italiano Shpend Sollaku Noè, figura poliedrica di intellettuale, in Italia dal 1992 come esiliato politico, si cimenta dunque con il romanzo. Come già nella poesia, lo interessa in particolare il tema del rapporto tra individuo e potere dispotico. Con il romanzo Sollaku Noè ha trovato però uno strume...

Shpend Sollaku Noé s'érige comme le Dante Alighieri du XXIe siècle: il n'y a ni fosses ni circuits infernaux, mais sa vision est tout aussiterrifiante. En lisant «Codici a barre (Code-barres)», nous nous sentons plus que damnés, de véritables marionnettes qui circulent dans le monde-enferoù l'informatique, les prêts à rembourser, les financiers, les banques sanguinaires, l'envie, la jalousie, l'obsession de l'image, les faussesreligions, l'abs...

Shpend Sollaku Noé është një poet i madh që ka pasur si qëllim daljen e poezisë nga akademitë, nga aristokracitë letrare, nga ambientet mondane. Poet nga nevoja, gazetar për domosdoshmëri historike, profesor e njeri i letrave rritur në underground, politikan i lindur, martir i lirisë të shtypur. I paisur me një përgatitje solide kulturale, letrare, filologjike e muzikale, po aq sa edhe shkencore në sensin enciklopedik, poliglot, karaktert i gu...

Shpend Sollaku Noé është një poet i madh që ka pasur si qëllim daljen e poezisë nga akademitë, nga aristokracitë letrare, nga ambientet mondane. Poet nga nevoja, gazetar për domosdoshmëri historike, profesor e njeri i letrave rritur në underground, politikan i lindur, martir i lirisë të shtypur. I paisur me një përgatitje solide kulturale, letrare, filologjike e muzikale, po aq sa edhe shkencore në sensin enciklopedik, poliglot, karaktert i gu...

Shpend Sollaku Noé si erge a Dante Alighieri del XXI secolo: non ci sono bolge o gironi infernali, ma la visione è ugualmente terrificante. Leggendo questo libro ci sentiamo più che dannati, veri burattini che circolano per il mondo-inferno, dove al posto delle fiamme ci sono l'informatica, i mutui da pagare, le finanziarie, la banche sanguisughe, l'invidia, la gelosia, l'ossessione dell'immagine, false religioni, assenza di cultura, falsità s...

Compared by literary authorities with Nobel's and other great writers as Brodsky, Herbert, Milosz, Kancev, Kleist, Artaud, Kundera and Grossman, this is Shpend Sollaku Noé, a poignant pen that brings sad images and deep feelings, an explosive mix of sarcasm that makes us to live anxiety of reality, he is a writer with a great present and a bright future." Attilio Bertolucci, 1999 "I never read a book so beautiful, but baffling, so imbued with ...

Compared by literary authorities with Nobel's and other great writers as Brodsky, Herbert, Milosz, Kancev, Kleist, Artaud, Kundera and Grossman, this is Shpend Sollaku Noé, a poignant pen that brings sad images and deep feelings, an explosive mix of sarcasm that makes us to live anxiety of reality, he is a writer with a great present and a bright future." Attilio Bertolucci, 1999 "I never read a book so beautiful, but baffling, so imbued with ...

Shpendi Sollaku No's poetry delves into meat, bone, and blood. He uses verses to pound on a stone to get at the truth, and he succeeds perfectly, coordinating style and synthesis. Before understanding, the reader feels. He sees himself in a forest without trees, praising the trees that are not there anymore, but through the force of the poetry, for a moment, the reader perceives the landscape as it was before the disappearance of the trees. Sc...

In this English and Italian edition, Shpend Sollaku No stands up as Dante Alighieri of the twenty-first century: there are no pits or circles of hell in his poem, but his vision is equally terrifying. Reading Barcodes, we feel more than damned, real puppets who move around the world-hell where, instead of flames, there are computers, loans, envy, image obsession, false religion, lack of culture, fabrication of history, unscrupulous bureaucracy...

In this English and Italian edition, Shpend Sollaku No stands up as Dante Alighieri of the twenty-first century: there are no pits or circles of hell in his poem, but his vision is equally terrifying. Reading Barcodes, we feel more than damned, real puppets who move around the world-hell where, instead of flames, there are computers, loans, envy, image obsession, false religion, lack of culture, fabrication of history, unscrupulous bureaucracy...