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Appearing in English for the first time, this book comprises two of Ortega's most important works, ¿Qué es conocimiento? and the essay "Ideas y creencias." This is Ortega's attempt to systematically present the foundations of his metaphysics of human life and, on that basis, to provide a radical philosophical account of knowledge. In so doing, he criticizes idealism and overcomes it. Accordingly, this book goes well beyond a treatise on episte...

Appearing in English for the first time, this book comprises two of Ortega's most important works, ¿Qué es conocimiento? and the essay "Ideas y creencias." This is Ortega's attempt to systematically present the foundations of his metaphysics of human life and, on that basis, to provide a radical philosophical account of knowledge. In so doing, he criticizes idealism and overcomes it. Accordingly, this book goes well beyond a treatise on episte...

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Ortega deals here with the roots and historical justification of philosophy, and the question of philosophy's essential unity.

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This last book, from the man whose The Revolt of the Masses is now in a 25th anniversary edition, newly designed and reset, is sure of attention from those who know that he will provide active mental gymnastics in his dissection to the roots of today's social, political and governmental structures in dissertations that, requiring close attention, are rewarding and revealing." -Kirkus Review

A brilliant examination of the twentieth century predicament in the light of the shift in Rome from paganism to Christianity and the transition from the static world of the Middle Ages to the expanding one of the Renaissance.

A work powerful and pervading in its implications not only for metaphysics but also for art, political science, and the philosophy of history.

Ortega y Gasset, il più grande filosofo spagnolo, meditò per tutta la vita su Velàzquez e la sua pittura. In particolare negli anni Quaranta e Cinquanta del Novecento, Ortega definisce una propria provocatoria interpretazione della figura e dell'opera di Velàzquez che, nonostante le resistenze iniziali degli storici dell'arte, ha segnato fino ad oggi la nostra interpretazione del più grande pittore spagnolo di tutti i tempi. Vissuto in un'epoc...

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Sur toute la surface de l'Occident triomphe aujourd'hui une forme d'homogénéité qui menace de consumer ce trésor. Partout l'homme-masse a surgi - l'homme-masse dont ce livre s'occupe - un type d'homme hâtivement bâti, monté sur quelques pauvres abstractions et qui pour cela se retrouve identique d'un bout à l'autre de l'Europe. C'est à lui qu'est dû le morne aspect, l'étouffante monotonie que prend la vie dans tout le continent. Cet homme-mass...

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Publicado en 1822, DEL AMOR es el prodigioso compendio de las observaciones y reflexiones acerca de los sentimientos y relaciones eróticas que STENDHAL (1783-1842) fue reuniendo y elaborando a lo largo de buena parte de su vida. En él encontramos, en el plano de la generalización teórica, la misma sabiduría psicológica y comprensión intuitiva de la naturaleza humana que habría de permitir a Henri Beyle llegar a novelar las grandes pasiones amo...