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Paganini's second concerto is separated by 11 years from his first, and differs quite a bit in content, with concentration more on intrinsic musical aspects than in showcasing the composer's famous virtuosity as violin virtuoso. Although the composer included the piece in his own list of works, it was not published until 11 years after his death - by the Paris firm Schonenberger as No.2 of a series titled "Oeuvres Posthumes". It's most famous ...

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Marina Piccinini's new arrangements of the Caprices remain true to Paganini's uncompromising artistic vision and showcase an array of challenging techniques that idiomatically exploit the unique tone and expressive range of the flute.

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Here, in one large-format playing edition, are Paganini's innovative Caprices and Wieniawski's much-admired collections, L'Ecole Moderne and Etudes Caprices. The three scores offer hours of rigorous practice and rehearsal.