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Based on a systematic sampling of French and English novels over more than two centuries, this book sets aside the familiar histories of the genre's so-called 'rise', proposing that the novel is a system whose constant yet patterned flux must be understood in the context of technological evolution more generally.

Based on a systematic sampling of French and English novels over more than two centuries, this book sets aside the familiar histories of the genre's so-called 'rise', proposing that the novel is a system whose constant yet patterned flux must be understood in the context of technological evolution more generally.

Before Fiction asks why so many early novelists pretended their novels were literally true when no one believed them. For Nicholas D. Paige the answer lies in a radically new view of the formal history of the novel in England and France.

Autobiography came into being when we began to see the self differently.