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Views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. This book contends that modernity is possible only on 'the transcultural site' - transcultural in the sense of breaking the divide between elite and popular, literary and non-literary, and inside and outside.

In Modern China and the West: Translation and Cultural Mediation, the authors investigate the significant role translation plays in cultural mediation. Transnational organizations that bring about cross-cultural interactions as well as regulating authorities, in the form of both nation-states and ideologies, are under scrutiny.