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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

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Excerpt from The Catiline and Jugurtha of Sallust: Translated Into EnglishThe text used in this translation is that of Dietsch's last edition. The system of division into paragraphs is taken from the same source. Wherever possible, the square brackets which Dietsch uses for marking, r words which he suspects as interpolations, have been retained in the English version.About the PublisherForgotten Books publishes hundreds of thousands of rare a...

Excerpt from The British Academy, Tercentenary of the First Folio, the Annual Shakespeare Lecture: The Foundations of Shakespeare's TextQuarto omits, and some 190 lines in the Quarto which the Folio omits. How many lines there may have been in the original manu script which both the Quarto and Folio omit no one can now tell. In the case of Lear, I think very few, but what about other plays, for instance, Antony and Cleopatra with its scenes of...

Excerpt from The British Academy, Tercentenary of the First Folio, the Annual Shakespeare Lecture: The Foundations of Shakespeare's TextQuarto omits, and some 190 lines in the Quarto which the Folio omits. How many lines there may have been in the original manu script which both the Quarto and Folio omit no one can now tell. In the case of Lear, I think very few, but what about other plays, for instance, Antony and Cleopatra with its scenes of...