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A freewheeling, nonlinear exploration of the performing duo and their decade-long collaboration from 1946 to 1956.

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Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfront to Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes's thoughts on vocali...

In A Silence from Hitchcock, Murray Pomerance explores the resonating power of silence in the director's work-its variation, its haunting temptation, and its technical power. Working from a meditative devotion to and an illuminating familiarity with the director's work, Pomerance shines light upon six films, some of them (Notorious, The Lady Vanishes, and The Trouble with Harry) frequently, even obsessively treated, and others (Frenzy, The Wro...

This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance's latest meditation on cinema has the author embed himself in various ways of thinking about color, not ways of framing ...

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Following from An Eye for Hitchcock and A Dream for Hitchcock, this third volume of reflections upon Alfred Hitchcock's work gives extensive meditations on six films: Psycho, The 39 Steps, The Birds, Dial M for Murder, Rich and Strange, and Suspicion. Murray Pomerance's sources come from a wide territory of interest, including production study, philosophy, cultural history, and more. The book is written as an homage to, and in many ways addres...

An essay collection reckons with pop-cultural depictions of autism.

The Screen Decades: American Culture/American Cinema series is now available as an twelve-volume set: American Cinema from the 1890s to the 2010s. Each volume presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema on society. Every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events to provide a continuing sense of the d...

Following from An Eye for Hitchcock and A Dream for Hitchcock, this third volume of reflections upon Alfred Hitchcock's work gives extensive meditations on six films: Psycho, The 39 Steps, The Birds, Dial M for Murder, Rich and Strange, and Suspicion. Murray Pomerance's sources come from a wide territory of interest, including production study, philosophy, cultural history, and more. The book is written as an homage to, and in many ways addres...

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Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to...

Elizabeth Taylor's electrifying performance in Who's Afraid of Virginia Woolf? The milkshake scene in There Will be Blood. Leonardo DiCaprio's turn as Arnie in What's Eating Gilbert Grape? What makes these performances so special? Eloquently written and engagingly laid out, Murray Pomerance answers the tough question as to what makes an exceptional, or virtuosic performance. Pomerance intensively explores virtuosic performance in film, ranging...

A Dream of Hitchcock examines the recurring motif of the dream in Hitchcock's work-dreamscapes, dream processes, the dream effect-by focusing on close readings of six celebrated but often misinterpreted films: Strangers on a Train, Rebecca, Saboteur, Rear Window, To Catch a Thief, and Family Plot. The Hitchcockian dream, as invoked here, is not so much a dream as it is a way of understanding, in its dramatic contexts, an "unearthly, " irration...

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This book, a collection of fifteen original essays on the film performances and stardom of John Barrymore, redresses the lack of scholarship on Barrymore by offering a range of varied perspectives on the actor's work.

International Film Stars Series edited by R. Barton Palmer and Homer B. Pettey Great Cinematic Performances Volume 2: International Edited by Murray Pomerance and Kyle Stevens 'Mustering a wide array of voices and perspectives, these gamechanging volumes provide a welcome scholarly corrective to the scandalous undervaluation of actors, acting and performance that has prevailed in cinema studies for far too long. This collection promises to s...

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Nikolai Cherkassov, Alec Guinness and Isabelle Huppert.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.