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This book offers a complete guide to Nietzsche's writings, which draw on two and a half millennia of literary and philosophical history and have inspired a further century of responses from literary writers and philosophers.

The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources o...

This is a book about Homer-who probably never existed but nonetheless survives as one of the most important authors in Western literature. Homer, like Shakespeare, has never ceased to be an object of fascination. Surely the greatest attraction to Homer lies not in his greatness as an author but in his utter mystery. Was there really a man, an author named Homer? In this corner are those who think that there was and that there existed Ur texts ...

The first book to break away from existing scholarship's dominant focus on Longinus and to outline an alternative account of the sublime in Greek and Roman poetry, philosophy, and the sciences, in addition to rhetoric and literary criticism. Argues for a tradition of sublime criticism that pre-existed and survived Longinus.

This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.

Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.

The term "classical" is used to describe everything from the poems of Homer to entire periods of Greek and Roman antiquity. But just how did the concept evolve? This collection of essays by leading classics scholars from the United States and Europe challenges the limits of the current understanding of the term. The book seeks not to arrive at a final definition, but rather to provide a cultural history of the concept by exploring how the mean...

This book traces the origins of aesthetic thought across a range of art forms from before Homer down to the fourth century.

Distinguished international scholars examine the neglected issue of the body and its status in classical antiquity

Distinguished international scholars examine the neglected issue of the body and its status in classical antiquity

The first book to break away from existing scholarship's dominant focus on Longinus and to outline an alternative account of the sublime in Greek and Roman poetry, philosophy, and the sciences, in addition to rhetoric and literary criticism. Argues for a tradition of sublime criticism that pre-existed and survived Longinus.

Traces the origins of aesthetic thought across a range of art forms from before Homer down to the fourth century.

Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.

This book argues that "The Birth of Tragedy, " Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.