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The global triumph of democracy was announced thirty years ago, promising an age of consensus in which the dispassionate consideration of objective problems would give birth to a world at peace. Today, these grand hopes have been destroyed, and the era touted as new and exceptional has turned out to be remarkably similar to the old order - but not simply due to the aggression of external forces. Instead, we must look to the nature of consensus...

The global triumph of democracy was announced thirty years ago, promising an age of consensus in which the dispassionate consideration of objective problems would give birth to a world at peace. Today, these grand hopes have been destroyed, and the era touted as new and exceptional has turned out to be remarkably similar to the old order - but not simply due to the aggression of external forces. Instead, we must look to the nature of consensus...

Im Dialog mit dem jungen spanischen Philosophen Javier Bassas erläutert Jacques Rancière zwei Ideen, die im Mittelpunkt seiner Arbeit stehen. »Wörter« sind keine blassen Schatten im Gegensatz zur festen Realität der »Dinge«. Sie sind selbst Wirklichkeiten, deren Verwendung eine Ordnung der Welt errichtet oder untergräbt. Und das »Schreiben« ist nicht die Veranschaulichung des Denkens, es ist eine Arbeit des Denkens, die das konsensuelle Gewebe...

Son yirmi-otuz yilda tarihin bir anlatidan özellikle de Napolyon veya Kanuni Sultan Süleyman gibi büyük adlara iliskin birtakim anlatilardan ibaret olup olmadigi cok soruldu. Jacques Rancire tarihcilerin söylemini baska acilardan mercek altina aliyor Jules Michelet, Fernand Braudel ve Annales okulu mensuplari ile E. P. Thompson gibi tarihcilerin üslup ve anlatim tekniklerini siyaset ve bilim felsefeleri acisindan inceliyor, tarihciligin dil ve...

Siyasal sanat veya sanatin siyasalligindan ne anlamak gerekir Elestirel sanat geleneginin ve hayati sanatsallastirma arzusunun neresindeyiz Metalar ve görüntülerin tüketilmesine yöneltilen militan elestiriler nasil oldu da birden meta ve görüntülerin her seye kadir oldugunun melankolik bir sekilde kabul edilmesine veya demokratik insani hedef alan gerici bir elestiriye dönüsebildi Ranciere kitabinda, cagdas sanatin bazi önemli sorunsallarini i...

Rancirein yazilari, solun yönünü sasirdigi günümüzde, direnmeye nasil devam edebilecegimizi gösteren ender anlamli kavramlastirmalardan biri.Slavoj iekDüne kadar Avrupada resm söylem totaliter dehsete karsi demokrasinin erdemlerini övüyordu. Devrimciler ise bugün ve buradaki demokrasiyi bicimsel bulup, gelecek bir gercek demokrasiyi savunuyorlardi. Simdi bütün bunlar gecmiste kaldi. Artik bazi hükümetler demokrasiyi silahlarin gücüyle ihrac ed...

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Im Jahre 1790 erhob Immanuel Kant die Gartenkunst in den Rang der schönen Künste. Im selben Jahr erblickte William Wordsworth in der französischen Landschaft die Zeichen der künftigen Freiheit und Gleichheit des Menschen, während Edmund Burke den Revolutionären vorwarf, sie zwängen der Gesellschaft die steife, autoritäre Ordnung der französischen Gärten auf. Jacques Rancière zeigt uns, dass die Landschaft mehr ist als ein beeindruckendes Schau...

Ranciere's classic essays from the 1970s, as he was developing his distinctive method.

Translation of: Le temps du paysage: aux origines de la râevolution esthâetique. Paris: La Fabrique âeditions, [2020].

The critique of modernist ideology from France's leading radical theorist

Film Fables "traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries.

Jacques Rancière antwortet in diesem Buch auf die Fragen seines französischen Verlegers Éric Hazan zur Lage der Gegenwart: Wo stehen wir? Was haben die politischen Ereignisse der letzten Jahre zu bedeuten? Welche Möglichkeiten eröffnen sich? Kurz, in welchen Zeiten leben wir?Der Titel dieses Buches ist wörtlich zu nehmen: Im Gespräch mit Éric Hazan durchleuchtet Jacques Rancière die politische Gegenwart. Er spricht vom Volk, von der Demokratie...

It is frequently said that we are living through the end of politics, the end of social upheavals, the end of utopian folly. Consensual realism is the order of the day. But political realists, remarks Jacques Ranciere, are always several steps behind reality, and the only thing which may come to an end with their dominance is democracy. In these subtle and perceptive essays, Ranciere argues that since Plato and Aristotle politics has always co...

A classic collection of essay by Jacques Ranciere, that focuses on the ways in which radical philosophers understand the people they profess to speak for. The Intellectual and His People engages in an incisive and original way with current political and cultural issues, including the ?discovery? of totalitarianism by the ?new philosophers, ? the relationship of Sartre and Foucault to popular struggles, nostalgia for the ebbing world of the fac...

The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or th...

In this short book, Jacques Rancière takes stock of the state of contemporary politics and examines current developments in the light of his writings. Rancière takes issue with what he sees as the consolidation in recent years of an increasingly oligarchic class of professional politicians within the system of representative democracy, while simultaneously objecting to leftist animosity towards electoral politics. He discusses a wide range of ...

In this short book, Jacques Rancière takes stock of the state of contemporary politics and examines current developments in the light of his writings. Rancière takes issue with what he sees as the consolidation in recent years of an increasingly oligarchic class of professional politicians within the system of representative democracy, while simultaneously objecting to leftist animosity towards electoral politics. He discusses a wide range of ...

The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and its philosophy, and it rejects theatre, while also fulfilling theatre's dream. Built on these contradictions, the cinema is the real, material space in ...