2 Ergebnisse.

This book challenges the monolithic portrayals of folk music and social change under communism by making a case for people's music and shows how new folk music embodies an inherently pluralistic concept of Yugoslavia's culture.

This book challenges the monolithic portrayals of folk music and social change under commission by making a case for 'people's music' and shows how new folk music embodies an inherently pluralistic concept of Yugoslavia's culture.