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Thinking Space in Cinema and Digital Cultures.

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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of a...

Karen Beckman is the Elliot and Roslyn Jaffe Professor of Cinema and Modern Media in the Department of the History of Art at the University of Pennsylvania. She is the author of Crash: Cinema and the Politics of Speed and Stasis and Vanishing Women: Magic, Film, and Feminism and coeditor (with Jean Ma) of Still Moving: Between Cinema and Photography, all also published by Duke University Press.

Disappearing women as a persistent trope from nineteenth-century magic through contemporary theory, film, and psychoanalysis.

Disappearing women as a persistent trope from nineteenth-century magic through contemporary theory, film, and psychoanalysis.

A collection of essays that discuss the relationship of film and photography, with a focus on medium specificity.

A collection of essays that discuss the relationship of film and photography, with a focus on medium specificity.

Considers the popular cinematic trope of the car crash as a metaphor for the relationship between aesthetics, politics, and interdisciplinarity.

Considers the popular cinematic trope of the car crash as a metaphor for the relationship between aesthetics, politics, and interdisciplinarity.