Ge, formerly translated as "mask" or "masquerade, "appears among the Dan people of C te d'Ivoire as a dancing and musical embodimentof their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reedsets out to discover what resides at the core of Ge. He finds that Ge is defined aspart of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance -- and it can ...
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