Alessia Ricciardi revisits questions about Elena Ferrante's identity to show how the problem of authorship is deeply intertwined with the novels' literary ambition and politics. Ricciardi reads Ferrante's fiction as world literature, foregrounding the alleged writer Anita Raja's work as a translator.
Alessia Ricciardi revisits questions about Elena Ferrante's identity to show how the problem of authorship is deeply intertwined with the novels' literary ambition and politics. Ricciardi reads Ferrante's fiction as world literature, foregrounding the alleged writer Anita Raja's work as a translator.
Alessia Ricciardi is Associate Professor of French and Italian at Northwestern University. Her book, The Ends of Mourning: Psychoanalysis, Literature, Film (Stanford, 2003), won the MLA's 2004 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies.
This book charts the emergence and development of the problem of mourning in the writings of Freud, Proust, and Freud's successor Lacan. Freud's idea of "sorrow work" and Proust's concept of involuntary memory defined the terms of the classic modernist account of mourning in the fields of psychoanalysis and literature. Yet their insistence on the egotistical aspects of loss to the exclusion of all ethical and political considerations threatens...
This book charts the emergence and development of the problem of mourning in the writings of Freud, Proust, and Freud's successor Lacan. Freud's idea of "sorrow work" and Proust's concept of involuntary memory defined the terms of the classic modernist account of mourning in the fields of psychoanalysis and literature. Yet their insistence on the egotistical aspects of loss to the exclusion of all ethical and political considerations threatens...
