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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Henrik Ibsen a Critical Study, Vol. 5I have read no critical books for this study, save Mr. Archer's invaluable introductions, Dr. Brandes' three essays. And Mr. Wicksteed's four lectures, I have purposely avoided consulting books that had at all the same purpose as this. I must here, however, acknowledge that I have been anticipated in one of my principal criticisms on the Ibsenite school by Sir A. Quiller Couch, who in an essay ...

Excerpt from Samuel Rogers and His CircleMy choice of personages to be dealt with has, frankly, been governed by personal preference. It was impossible to include all Rogers' friends, so I have, after consideration, included those who by their character or achievement appeal to me. I hope this confession will disarm those critics who might otherwise expect to find accounts of Campbell, or Cary (of Dante fame), or Turner, or the Greys, or Sharp...

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Excerpt from Henrik Ibsen a Critical Study, Vol. 5 In writing this study I have used Mr. Archer's definitive edition of Henrik Ibsen's works, also the earlier editions of his versions issued by Walter Scott. I have also used the current Norwegian editions of separate plays, but have not seen the final collected issue. The translations from Digte and Peer Gynt are my own, those from Brand and the Prose Plays are based on Mr. Garrett's version,...

Excerpt from Samuel Rogers and His Circle I. Recollections of Samuel Rogers. Ed. By W. Sharpe. 1856. 2. Table-talk of Samuel Rogers. A. Dyce. 1859. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the orig...

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