2 Ergebnisse.

Moving beyond the dominant model of syncretism, this extensively illustrated volume proposes a completely different approach to the field known as Latin American ¿colonial art, ¿ positioning it as a constitutive part of Renaissance and early modern art his

Focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centuries - feather mosaics, geographical maps, and graffiti - to propose that the singularity of these creations does not arise from a syncretic impulse, but rather from a complex process of "untranslatability.