2 Ergebnisse.

In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a style that married the ancient and the modern and that emerged as both a cause and an effect, both an ideal construct and an textual materiality, ...

A study of modernist aesthetics, which attempts to reveal how the Orient came to symbolize the highest aspirations of literary representation for such writers as Flaubert, Proust and Baudelaire. The author demonstrates how the modernist movement was influenced by Oriental culture and history.