15 Ergebnisse.

Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of a masked ball with titles such as Arlequin, " "Papillons, " "Sphinxes, " "Coquette" and so on. Most of the 23 pieces are based on the notes A-S-C-H, arranged in a succession of melodic and rhythm patterns ("s" is German for E-flat,...

The second piece in Schumann's "Fantasiestucke, " Aufschwung (or "Soaring") is played rapidly, in 6/8 time, but with fluctuations in tempo that suggest the feeling of flight. In this edition, Maurice Hinson includes historical and performance notes and suggestions for pianists who might have difficulty with the required reaches.

In 1845, Robert Schumann embarked on an intense course of contrapuntal studies. This led him to rent a pedalboard attachment for his piano, inspiring him to write pieces specifically for pedal piano, including these etudes. The great French composer Georges Bizet arranged the Six Etudes in Canon Form, Op. 56 for one piano, four hands. These etudes are not simply technical finger exercises like Hanon or Czerny, but true works of art like the Ch...

Schumann's Symphonic Etudes is one of the most astounding musical accomplishments of the 19th century. The set consists of a theme, seven variations and a lengthy finale. This work is as significant for Schumann as were the Goldberg Variations for Bach, or the Diabelli Variations for Beethoven. This edition contains informative background information as well as notes on the composer and the music. Included is an outstanding CD recording from t...

Eight contrasing pieces with descriptive titles comprise the "Fantasy Pieces, " Op. 12. Although the eight pieces form a homogeneous whole, each can be played individually without loss of effect. They are challenging works with strong, unusual rhythms, and melodic charm. This edition discusses the history of the collection and provides performance suggestions for each piece. Included is an outstanding CD recording from the Naxos label.

Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of a masked ball with titles such as "Arlequin, " "Papillons, " "Sphinxes, " "Coquette" and so on. Most of the 23 pieces are based on the notes A-S-C-H, arranged in a succession of melodic and rhythm patterns ("s" is German for E-flat...

Keine Beschreibung.

Eight contrasing pieces with descriptive titles comprise the "Fantasy Pieces, " Op. 12. Although the eight pieces form a homogeneous whole, each can be played individually without loss of effect. They are challenging works with strong, unusual rhythms, and melodic charm. This edition discusses the history of the collection and provides performance suggestions for each piece. Included is an outstanding CD recording from the Naxos label.

Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of a masked ball with titles such as "Arlequin, " "Papillons, " "Sphinxes, " "Coquette" and so on. Most of the 23 pieces are based on the notes A-S-C-H, arranged in a succession of melodic and rhythm patterns ("s" is German for E-flat...

Keine Beschreibung.

Keine Beschreibung.

This edition will assist piano students in achieving a better, more stylistically correct interpretation of some of Robert and Clara Schumann's finest keyboard music written at the intermediate to advanced levels.

Eight contrasing pieces with descriptive titles comprise the "Fantasy Pieces, " Op. 12. Although the eight pieces form a homogeneous whole, each can be played individually without loss of effect. They are challenging works with strong and unusual rhythms an melodic charm. This edition discusses the history of the collection and provides performance suggestions for each piece.

The second piece in Schumann's "Fantasiestucke, " Aufschwung (or "Soaring") is played rapidly, in 6/8 time, but with fluctuations in tempo that suggest the feeling of flight. In this edition, Maurice Hinson includes historical and performance notes and suggestions for pianists who might have difficulty with the required reaches.