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The first-ever volume of the photographs of German writer W.G. Sebald, exquisitely designed to shed new light on his creative process, as it chronicles the images and encounters that shaped his writing life.Shadows of Reality presents a unique, fully illustrated catalogue of W.G. Sebald’s photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia’s photographic collection, the Deutsches L...

While reading transforms texts through memories, associations and re-imaginings, translation allows us to act out our reading experience, inscribe it in a new text, and engage in a dialogic and dynamic relationship with the original. Clive Scott reveals how this translational activity generates new ways of relating to ecological issues.

How does rhyme in French verse create and interfere with poetic meaning? Despite the importance of the topic, it has gone neglected until this study, which examines features peculiar to French rhyme, explores their contribution to poetic structure, meaning, and semantic productivity, and tests current methods of classifying rhymes. Also included are reappraisals of important poetic works by Racine, Moliere, Voltaire, Verlaine, and Aragon.

This book explores in depth the expressive resources peculiar to French verse, first through formal discussion of its poetics and then through thirteen detailed readings of texts from the seventeenth century to the present, including La Fontaine, Chenier, Vigny, Baudelaire, Mallarme, Apollinaire, Eluard, and Cesaire. At the same time, it offers a reassessment of the nature of the reading process itself, especially as it relates to verse.

The prosodic description of free verse has long been fraught with difficulty. This book attempts to map out modes of analysis through a study of the history and theory of free verse in France, with extended commentaries on poems by Alain Fournier, Rimbaud, Laforgue, Claudel, and Apollinaire.

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The first-ever volume of the photographs of German writer W.G. Sebald, exquisitely designed to shed new light on his creative process, as it chronicles the images and encounters that shaped his writing life.Shadows of Reality presents a unique, fully illustrated catalogue of W.G. Sebald’s photographs: an extraordinary combination of film negatives, prints, and slides from the University of East Anglia’s photographic collection, the Deutsches L...

Ein Routinefall wird für Privatdetektiv Harry D'Amour (Scott Bakula) zu seinem schlimmsten Albtraum, als er auf eine okkulte Sekte stößt, deren Anhänger ihren toten Anführer Nix wiederauferstehen lassen wollen. Der dunkle Meister, der von seinen Gefolgsleuten "der Puritaner" genannt wird, ist zu Lebzeiten ein großer Illusionist gewesen und vor 13 Jahren von seinem besten Zauberschüler Philip Swann (Kevin J. O'Connor) ermordet worden. Heute ist...

Ein Routinefall wird für Privatdetektiv Harry D'Amour (Scott Bakula) zu seinem schlimmsten Albtraum, als er auf eine okkulte Sekte stösst, deren Anhänger ihren toten Anführer Nix wiederauferstehen lassen wollen. Der dunkle Meister, der von seinen Gefolgsleuten ''der Puritaner'' genannt wird, ist zu Lebzeiten ein grosser Illusionist gewesen und vor 13 Jahren von seinem besten Zauberschüler Philip Swann (Kevin J. O'Connor) ermordet worden. Heute...

How is gender embodied in poetic forms? What kinds of habitation can dramatic verse create for the performing voice? Where in verse are the inflections of the voice's self found? Can the line of verse be 'landscaped' to communicate the modalities of natur

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A new departure in translation theory, focusing on translation and the reader's experience.

Besides providing a new appraisal of Guillaume Apollinaire, the foremost French poet of early Modernism and WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project.

Translating Rimbaud's Illuminations is a critique of the assumptions which currently underlie our thinking on literary translation. It offers an alternative vision, extending the parameters of literary translation by showing that such translation is itself a form of experimental creative writing.

This book is the record of an apprenticeship in translating Baudelaire, and in translating poetry more generally. Re-assessing the translator's task and art, Clive Scott explores various theoretical approaches as he goes in search of his own style of translation. In the course of the book, versions of seventeen of Baudelaire's poems are offered, with detailed evaluations of the poems and the translations. Translating Baudelaire considers two n...

This 1980 book is designed to help university students to master the technicalities and techniques of French verse.

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With examples drawn from different literatures, this exciting new departure in translation theory has much to offer to students of literature and of comparative literary criticism. It also encourages all readers of literature to use translation to express and give shape to their encounters with texts.

Besides providing a new appraisal of Guillaume Apollinaire, the foremost French poet of early Modernism and WWI, Translating Apollinaire aims to put the ordinary reader at the centre of the translational project.

This book is the record of an apprenticeship in translating Baudelaire, and in translating poetry more generally. Re-assessing the translator's task and art, Clive Scott explores various theoretical approaches as he goes in search of his own style of translation.