Clio, Eros, Thanatos argues that the sentimental mode plays itself out along a scale from the chivalric to the pornographic, thereby encompassing amatory narratives both chaste and erotic. The texts studied - Le Chevalier de la Charette, Cárcel de amor, Celestina, and La Princesse de Clèves - implicate both private and public realms in an irresistible drive toward an impossible unity, the result of which is usually a form of death. Here, desir...
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