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Offers a completely new introduction, with a particular emphasis on the play's afterlife in global performance and adaptation.

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This is the first fully annotated and comprehensive modern-spelling edition of King Henry VIII to appear for over a decade. It makes full use of current scholarship on the dating, authorship, printing, and sources of the play, as well as critical interpretations. The editor concludes that Shakespeare and his younger colleague John Fletcher worked on the script together but that Shakespeare was probably the guiding spirit.

Updated critical edition of King Lear, including a new introductory section on recent interpretations.

This is the first fully annotated modern-spelling edition of King Henry VIII to appear for over a decade and includes up-to-date scholarship on all aspects of the play, including dating authorship, printing, sources and stage history. The editor accepts the view that the play is a collaboration between Shakespeare and Fletcher. Unique to this edition is the frequent reference to Cavendish's biography of Wolsey, neglected in earlier editions. T...

This edition of The Merchant of Venice, based on a fresh examination of the early editions, includes an exceptionally lucid and accessible introduction which addresses Shakespeare's attitude toward Semitism and establishes the cultural, historical, and literary context in which Shakespeare wrote the play. An interesting range of production photographs and drawings of Renaissance merchants and Jews, and a survey of the play's stage history rang...

For this updated critical edition of King Lear, Professor Halio has added a new introductory section on recent stage, film, and critical interpretations of the play. He gives a comprehensive account of Shakespeare's sources and the literary, political and folkloric influences at work in the play, a detailed reading of the action, and a substantial stage history of major productions. Professor Halio chooses the Folio as the text for this editio...

This edition of Shakespeare's King Lear is based on the first (1608) quarto.