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Improvision

Shaw-Miller, Simon
Improvision
Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music).However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americ...

CHF 49.90

Improvision

Shaw-Miller, Simon
Improvision
Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music).However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americ...

CHF 150.00

Eye hEar The Visual in Music

Shaw-Miller, Simon
Eye hEar The Visual in Music
Eye hEar The Visual in Music employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent, one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point...

CHF 87.00