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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 22: Edited From Original Manuscripts and Scarce PublicationsIt was unanimously resolved that the third book of 'browne's Britannia's Pastorals' [no. XCIII], be issued at once, appending only the Resolutions passed at the General Meeting, and a notice that the title pages, list of Members, table of contents, etc., will be issued as soon after 'the termin...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 20Two copies only of the poem by Barnfield here reprinted, are known to be preserved, one in Sion College Library, and another, formerly in Heber's possession, mentioned in "Bibliotheca Heberiana, " iv. 15. Its merits and great rarity have pointed it out as a work deserving to be more known and appreciated. Barnfield is, perhaps, chiefly remembered by h...

Excerpt from Early English Poetry, Ballads, Vol. 7: And Popular Literature of the Middle AgesAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the age...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 8: Edited From Original Manuscripts and Scarce PublicationsThe following Collection of Stories is offered merely as a specimen of the class of literature to which it belongs. The Editor has not had the leisure to carry his researches further than a few manuscripts in the Museum which were ready at his hand. He is aware of the existence of nu merous valu...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 29: Edited From Original Manuscripts and Scarce PublicationsIN black-letter, with wood-cuts, containing much that is curious and illustrative of old popular notions. Under this heading, the mind of the fathers of the nature of the fire, we are told.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 9: Edited From Original Manuscripts and Scarce PublicationsAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the origina...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 26: Edited From Original Manuscripts and Scarce PublicationsGod gif me some I and I were a pope, Nought only thou, but every mighty man, Though he were sohore brode upon his pan, Schuld ban a Wif for al this world is low, Religioun hath take up al the corn 15440 Of tredyng, and we burel men ben schrympes, Of feble trees ther cometh feble ympes.About the...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 12: Edited From Original Manuscripts and Scarce PublicationsCaxton's translation was made. Of the advantage that I thus enjoyed many proofs will be found in the following pages.The several republications of the History of Reynard the Fox, which appeared during the seventeenth century, professed to be newly, rected and purged from all grossenesse in phra...

Excerpt from Early English Poetry, Ballads, and Popular Literature of the Middle Ages, Vol. 24: Edited From Original Manuscripts and Scarce PublicationsThe following brief notice of the personal history of the poet is little more than an abridgment of the se of Chaucer by Sir Harris Nicolas, who has gathered togethera mass of curious facts from the public records, many of them not known before. To that biographical sketch, which is pre fixed t...