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This second edition of Historical Dictionary of Hong Kong Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, producers, writers, actors, films, film companies, genres, and terminology.

Despite the industry being shutdown by two world wars, having its martial arts films dismissively labeled as "chopsocky, " and operating on shoestring budgets, the films of Hong Kong have been praised and imitated all over the world. From its beginning in 1909 with the silent short Stealing the Roast Duck to the martial arts classic Enter the Dragon (1973) to Peter Chan's Perhaps Love (2005), a reinvention of Chinese musicals via Hollywood, th...

The A to Z of Hong Kong Cinema provides essential facts and descriptive evaluation concerning Hong Kong filmmaking and its filmmaking community. This is accomplished through the use of a chronology, an introductory essay, illustrations of individuals and film stills, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, films, film companies, genres, and terminology.

This raucous, gender-stretching comedy follows the disruptions of a glamorous Hong Kong music couple's tumultuous romance by an "ordinary" fan's noisy arrival in their lives. With great comic story development, the film confronts social stereotypes of masculine females, male anxieties about homosexuality, and the limits of male femininity.