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The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a

The Music Road (the western half of the famous "Silk Road") explores transmissions, migrations and discourses of music, dance and theatre in the area between the Mediterranean and India, from the first to the 20th century. This scholarly panorama explores this cultural world and considers its fascinating inner diversity.

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This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.

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Reinhard Strohm zeigt eindrucksvoll, dass Musikleben und Musikschaffen in der Region Österreich schon vor dem Entstehen des habsburgischen Weltreichs durch europäische Weite gekennzeichnet waren. Jedoch waren damals die Modalitäten des musikalischen Kulturtransfers zum Teil noch andere als später. Nicht nur die kunstvolle mehrstimmige Musik der Höfe und Dome, sondern auch der einstimmige Gesang und weltliche Musikformen waren international ver...

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More than forty years ago in the state archives of Lucca, Italy, musicologist Reinhard Strohm noticed that bindings on some of the books were unusual: they consisted of the pages of a centuries-old music manuscript. In the following years, Strohm worked with the archivists to remove these leaves and reassemble as much as possible of the original manuscript, a major cultural recovery now known as "The Lucca Choirbook." The recovered volume comp...

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