9 Ergebnisse.

How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and how interrelated has the work of scholars and directors become over this century? Professor Styan's purpose in this book is to discuss the 'revolution' in Shakespeare studies implied by these questions.

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

The theories of Wagner and Nietzsche provide the basic principles for this volume, disseminated by the work of Appia and Craig, and affecting the later plays of Ibsen, Maeterlinck, and Lugne-Poe's Theatre de Le'Oeuvre. Jarry is seen as the precursor of surrealism, later symbolist elements are found in the plays of Claudel, Giraudoux, Yeats, Eliot, Lorca and Pirandello. Artaud's theatre of cruelty is related to the work of Peter Brook. The thea...

Restoration comedy disappeared from the stage for nearly 200 years until it was revived early this century. Without the benefit of a performance tradition has suffered from an inappropriate literary and moralistic criticism which continues to this day. Yet this brilliant court and coterie comedy of sexual and social behaviour was an extraordinary success in its own time, and enjoys a unique place in theatrical history as an example of the inte...

The English Stage: A History of Drama and Performance tells the story of the drama through its many changes in style and convention from medieval times to the present day. With a wide sweep of coverage, John Styan analyses the key features of staging, including early street theatre and public performance, the evolution of the playhouse and the private space and the pairing of theory and stagecraft in the works of modern dramatists. He focuses ...

Max Reinhardt was among the first to establish the importance of the director in modern theatre.

Professor Styan examines what a play is as well as understanding the dramatist's intentions towards this medium.