11 Ergebnisse.

A choral worship collection for five-voice choir, a cappella with latin text, composed by Thomas Tallis.

In jejunio et fletu was published in the Cantiones, quae ab argumento sacrae of 1575, the first printed collection of sacred polyphony in England and the joint effort of Tallis and his pupil, William Byrd. The plangent sonorities and dramatic harmonic shifts of this darkl-scored composition, one of the composer's unquestioned masterpieces, lends a solemn and plaintive urgency to this penitential text.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Keine Beschreibung.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Keine Beschreibung.

Excerpt from The Order of the Daily Service of the United Church of England and Ireland: As Arranged for Use "in Quires and Places Where They Sing"Having now sufficiently noticed and explained the nature of the ancient publications relative to the cathedral service, the next point for consideration appears to be whether the Responses and Litany were originally harmonized in four or in five parts by Tallis.About the PublisherForgotten Books pub...

for 40-part unaccompanied mixed chorusThis score is in G. The full vocal score and two chorus parts (Choirs I-IV, and Choirs V-VIII) are available on hire.

Excerpt from The Order of the Daily Service of the United Church of England and Ireland: As Arranged for Use "in Quires and Places Where They Sing"Having now sufficiently noticed and explained the nature of the ancient publications relative to the cathedral service, the next point for consideration appears to be whether the Responses and Litany were originally harmonized in four or in five parts by Tallis.About the PublisherForgotten Books pub...

Keine Beschreibung.

The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism in Elizabethan times, it would have required careful diplomacy for a Roman Catholic like Thomas Tallis simply to stay alive. In fact he became the most respected composer of his generation and is now recognised as one of the country's greatest comp...