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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from PoemsHer hair was golden, like delight, Her eyes were dark, like pain.And once, without, amid the dew, Splendid and unafraid, One sang, the dead-gold twilight through.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the...

Excerpt from Rose and VineMusic of ResurrectionThere shall no blare of heavenly trumpets endThe long, long lapses of Obliviòn :No brazen tongues like flaming swords must rendThe veils of darkness, that the Dead put onIn one wild pang remembrance long foregone:Nor shall the slim white dancing-angels crowdWith silver bells and tabors, for that brightReveillè-music would be far too loudFor who have lain within the unechoing night.Blotted away fro...

Rachel Annand Taylor (1876-1960) was a Scottish poet, biographer and literary critic. According to Gilbert Murray's foreword, Leonardo the Florentine "will offend many readers and bewilder more, that it will be strange and morbid, and at times startling . . . but that such qualities will almost be forgotten, for good or ill in an exotic and riotous luxury of imagination and phrasing.

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Excerpt from PoemsHer hair was golden, like delight, Her eyes were dark, like pain.And once, without, amid the dew, Splendid and unafraid, One sang, the dead-gold twilight through.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the...

Excerpt from Rose and Vine Music of Resurrection There shall no blare of heavenly trumpets end The long, long lapses of Obliviòn : No brazen tongues like flaming swords must rend The veils of darkness, that the Dead put on In one wild pang remembrance long foregone: Nor shall the slim white dancing-angels crowd With silver bells and tabors, for that bright Reveillè-music would be far too loud For who have lain within the unechoing night. Blo...

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Rachel nee Annand Taylor (1876-1960) was a Scottish poet. Today little known, she was admired by Richard Aldington and D. H. Lawrence. Her works include: Poems (1904), Rose and Vine (1908), The Hours of Fiammetta (1909), Aspects of the Italian Renaissance (1923), Leonardo the Florentine: A Study in Personality (1927), Invitation to Renaissance Italy (1930), Dunbar: The Poet and His Period (1931) and Renaissance France (1949).