Danish filmmaker Thomas Vinterberg's searing film Festen ("The Celebration") was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity -- no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment -- Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering world-wide attention. The film is set at the sixtieth birthday par...
The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s.
The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s.
Danish filmmaker Thomas Vinterberg's searing film "Festen" ("The Celebration") was the first film from the Dogme 95 stable. Adhering to Dogme's cinematic purity--no artificial lighting, no superficial action, no credit for the director, and only handheld cameras for equipment--Festen was a commercial and critical success, winning the Jury Prize at Cannes in 1998 and garnering worldwide attention.The film is set at the sixtieth birthday party o...
