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The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.

The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.

Jack Kerouac, Allen Ginsberg, and William S. Burroughs-their emergence in the late 1950s as the leading figures of the Beat movement marked one of the most spectacular developments in post-World War II American literature. John Tytell's classic study examines their attempt to redefine a complacent society's notion of sanity and normalcy and to reinvent their own lives through jazz, drugs, and law-breaking, acts that ultimately led to new forms...

Unlike other biographical portraits of Ezra Pound, John Tytell's brilliant and ambitious work offers an interpretive study that boldly confronts the emotional truths and psychological drama that formed this complex and controversial American poet. Neither an apology nor a condemnation, it presents instead a meticulous exploration into the mind and vision of a man who galvanized a generation and challenged an entire literary-and world-establish...

The most radical, uncompromising, and experimental group in American theatrical history, the Living Theatre was flamboyant and daring both onstage and off. It attracted attention worldwide, violated many of the taboos of culture and government, and unleashed a backlash of arrests, imprisonment, and attempts at suppression, all while presenting the work of some of the world's preeminent artists, including Tennessee Williams, Frank O'Hara, James...