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Using the one-act comedy El parto de Juan Rana (John Frog Gives Birth) as a point of departure, Velasco argues that the figure of the pregnant man in early modern Spanish culture was not merely comic entertainment, but also served an important role as a physical representation of the anxieties about the changing roles of men and women at the time.

Using the one-act comedy El parto de Juan Rana (John Frog Gives Birth) as a point of departure, Velasco argues that the figure of the pregnant man in early modern Spanish culture was not merely comic entertainment, but also served an important role as a physical representation of the anxieties about the changing roles of men and women at the time.

Catalina de Erauso (1592-1650) was a Basque noblewoman who, just before taking final vows to become a nun, escaped from the convent at San Sebastian, dressed as a man. This work presents an historical overview of the evolution of interpretations of the nun-ensign Catalina de Erauso.

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