This book examines Tamil cinema, which has recently overtaken Bollywood in terms of annual output, outlining its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora.
Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, f...
Despite unprecedented levels of global interconnectedness, little academic attention has been paid to how governments actively deal with the challenges globalization poses for national identity. This book investigates the Singapore Government's approach to the construction of national identity and the shifting ways in which Singapore has been imagined in official discourses. The hallmarks of Singapore's nation-building project have been the st...
