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Drawing on a global range of case studies, this edited collection is the first to explore the production, use, and consumption of visual imagery as an integral part of heritage, weaving together complex understandings of the 'visual' from a wide range of disciplines. The book provides a comprehensive overview of the theoretical and methodological tools necessary for understanding visual imagery within its cultural context.

The 'visual' has long played a crucial and formative role in structuring the experiences, associations, expectations and understandings of heritage. This edited collection explores the production, use and consumption of visual imagery as an integral part of heritage within its broader social and political context.