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“Naomi Weiss offers a refreshing departure from traditional scholarship on Greek tragedy. Her close consideration of the place of music in Euripides’ later tragedies makes this an important and original book.” Armand D’Angour, Professor of Classical Languages and Literature, Oxford University, and author of The Greeks and the New: Novelty in Ancient Greek Imagination and Experience   “This is a valuable work of scholarship that makes an import...

What does it mean to 'see' theater? This ambitious and wonderfully engaging book turns the spotlight on the theater spectator, finding the drama hidden away in the very act(s) of watching Greek drama. Weiss's phenomenological approach foregrounds the multisensory nature of theatrical performance. Reading the tragedians—especially Aeschylus and Sophocles—will never feel quite the same again."—Melissa Mueller, author of Objects as Actors: Props ...

“Naomi Weiss offers a refreshing departure from traditional scholarship on Greek tragedy. Her close consideration of the place of music in Euripides’ later tragedies makes this an important and original book.” Armand D’Angour, Associate Professor of Classics, Oxford University, and author of The Greeks and the New: Novelty in Ancient Greek Imagination and Experience   “This is a valuable work of scholarship that makes an important contribution...