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These essays discuss the theory and practice of science fictional eating, the dialectic, at the level of eating, between individual needs and collective forms, and the ways that eating habits, the availability and choice of food serve to contextualize and demarcate modern fictional genres.

The modern marketplace of science fiction, and the relationship between art, culture, and commerce as reflected in works of science fiction, are the concerns of these original essays. The contributors offer a wealth of new perspectives and insights on the forces that both drive and hinder creativity and its commodification.