The films of Hitchcock, Welles and Godard, the aesthetics of photography and the technology of cinema, art and revolution in Russia and in Mexico, the avant-gardes in film and in painting--these are among the many topics of Peter Wollen's essays. Interwoven with fictional treatments of such themes as memory, dream, sexuality and writing, they compose a remarkable, perhaps unique, volume. These readings and writings are informed by Marxism, sem...
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