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This collection thus comprises the first rigorous exploration of the relationship between sculpture and film, charted over fourteen essays. The contributors explore some of the ways in which cinema reshaped the landscape of art and specifically sculpture and sculptural practice during the twentieth century. They also examine how film has functioned

William Turnbull (1922-2012) stands as one of Britain's foremost artists in the second half of the twentieth century. Both a sculptor and a painter, he explored the changing contemporary world and its ancient past, actively engaging with the shifting concerns of British, European and American artists. Presenting interpretations of Turnbull's work from an impressive roll-call of over sixty art historians, curators, critics and artists, a pictur...

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Stacking as sculptural procedure across five decades of Cragg's artThis career-spanning publication focuses on the history of Tony Cragg's (born 1949) Stack works that began in the late 1960s, when, as a student, he began piling up miscellaneous and recycled detritus from the studio in order to create large rectilinear sculptures that refuted the usual clean lines of minimalism.

The dramatic task of re-imagining clerical identity proved crucial to the Renaissance and Reformation. Jon Wood brings new light to ways in which that discussion animated reconfigurations of church, state, and early modern populace. End-Times considerations of Christian religion had played a part in upheavals throughout the medieval period, but the Reformation era mobilized that tradition with some new possibilities for understanding instituti...

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Combining approaches from art history, museum studies, and contemporary curating, this collection focuses on the artist's studio and its legacies. Through a series of case studies on some of the major figures of modern art, contributors examine how and why artists' studios have been exhibited in the art gallery and museum. Among the artists discussed are Donald Judd, Frieda Kahlo, Constantin Brancusi, Francis Bacon, Eduardo Paolozzi, and Piet ...

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This state-of-the-art, research level text examines the evolution of hydroecology / ecohydrology by focusing on: process understanding, hydroecological interactions and dynamics, methodological approaches and detailed case studies. The book concludes by identifying future research needs.

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Of especially naughty children, it is sometimes said: "They must have been raised by wolves." The Incorrigible children actually were.Since returning from London, the three Incorrigible children and their plucky governess, Miss Penelope Lumley, have been exceedingly busy. When Lord Fredrick's long-absent mother arrives with the noted explorer Admiral Faucet, gruesome secrets tumble out of the Ashton family tree. And when the Admiral's prized r...

Of especially naughty children, it is sometimes said: "They must have been raised by wolves." The Incorrigible children actually were.Discovered in the forest of Ashton Place, the Incorrigibles are no ordinary children. Luckily, Miss Penelope Lumley is no ordinary governess. A proud graduate of the Swanburne Academy for Poor Bright Females, she must use all her skills to tame these clever canine children. Latin, poetry, and the use of globes w...

This profoundly moving fable is an inspirational companion to the timeless beauty of "Old Turtle, " in which a young girl seeks the wisdom of the ancient Old Turtle to help her people. Full color.

Found running wild in the forest of Ashton Place, the Incorrigibles are no ordinary children: Alexander, age ten or thereabouts, keeps his siblings in line with gentle nips, Cassiopeia, perhaps four or five, has a bark that is (usually) worse than her bite, and Beowulf, age somewhere-in-the-middle, is alarmingly adept at chasing squirrels.Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of th...

Of especially naughty children it is sometimes said, "They must have been raised by wolves." The Incorrigible Children actually were. But the city presents challenges, too, in the form of the palace guards' bearskin hats, which drive the children wild - not to mention the abundance of pigeons the Incorrigibles love to hunt.