2 Ergebnisse.

In this bold political rethinking of contemporary film theory, Zavarzadeh overturns the dominant concepts that fetishize film as a work of art or simple entertainment. He demonstrates how aesthetic notions obscure the ideological effects produced by viewing films, particularly the production of the spectator as the subject of social class. Seeing films, he argues, is part of the political struggle over cultural intelligibilities, subjectivitie...

In this bold political rethinking of contemporary film theory, Zavarzadeh overturns the dominant concepts that fetishize film as a work of art or simple entertainment. He demonstrates how aesthetic notions obscure the ideological effects produced by viewing films, particularly the production of the spectator as the subject of social class. Seeing films, he argues, is part of the political struggle over cultural intelligibilities, subjectivitie...