Through elaborate and elegant close readings of poems by Rilke, Proust's Remembrance, Nietzsche's philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says is always unreliable, slippery, impossible....Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautiful...
The first collection of texts by Paul de Man to follow the posthumous Aesthetic Ideology (1996), the title refers to de Man's Harvard thesis of the late 1950s, from which the long section on Mallarme is reproduced. Also included are texts by de Man on Stefan George, as well as essays on Rousseau, Derrida, Symbolism and Keats.
Twenty-five essays and reviews, not available in earlier collections of de Man's work. His subjects include the work of Montaigne, Rousseau, Keats, Goethe, Holderlin, Baudelaire, Mallarme, Sartre, Gide, and Camus.
An anthology that collects texts and papers from the Paul de Man archive, including essays on art, translations, critical fragments, research plans, interviews, and reports on the state of comparative literature. It also engages with Paul de Man's institutional life.
An anthology that collects texts and papers from the Paul de Man archive, including essays on art, translations, critical fragments, research plans, interviews, and reports on the state of comparative literature. It also engages with Paul de Man's institutional life.
In 'Blindness and Insight', de Man examines several critics and finds in their writings a gap between their statements about the nature of literature and the results of their practical criticism.
Contains facsimile reproductions of the original French and Flemish articles written by the young de Man for two Belgian newspapers that collaborated with the Nazis.