Sebastian Milej, as he writes, is capable of "a crime masked by dignity." He is a seer into "being, inlaid and marginal, " who lives in a world of senators and ostriches, of Chopin nocturnes and of "sham pearls" poured "over a dark wood floor." He lives a mightier life than you or I do, one half-immersed in dream, the charged, ambiguous existence of someone who, like Rimbaud, has systematically disordered all his senses and has declared a new,...
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