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Kevin Crossley-Holland's name will be familiar to readers of all ages for his historical novels, his re-telling of the Norse myths and his many volumes of poetry. Previously published by the late Enitharmon Press, he is a very welcome newcomer to Arc with his twelfth collection - his first for six years - inspired by the "heavenly squelch" of his own north Norfolk where "the word on the tip of your tongue may be sacramental". As Ronald Blythe ...

Readers will be deeply grateful to thelate Peter Oram for giving new life to thework of a major Russian poet who hasnever been fully recognized in the English-speakingworld - even if his haunting wordshave been heard in Russian by the millionswho have seen his son's film Mirror.Arseny Tarkovsky lived through theSoviet period from beginning to end, preserving his inner independence andleaving a precious legacy of memorablelyrics that achieve a ...

Invisible is a teasing title for a collection of poetry. [Wallace] Stevens, with whose work Jacek Gutorow has a deep and sustained engagement, suggested in 'The Creations of Sound', that poems should 'make the visible a little hard / To see' [...] Both Gutorow and Stevens develop a poetic medium that maintains an oscillating dialectic between the seen and the unseen. The invisible operates not as an occlusion of reality, but as an aura satur...

Latin America is known to be producing some of the most exciting literature in the world today. With the region's rich intersecting traditions, history of migrations, political movements, and commitment to poetic innovation, the women poets who are currently working there are some of the fiercest and most creative voices in the 21st century. Temporary Archives brings together 24 of the most widely-read women poets working in Spanish, Portugues...

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Michelene Wandor's new poetry collection travels in many directions. There is geography: Italy, Palestine, Ethiopia, Mesopotamia, France, Egypt, the Lebanon, and, of course, the UK. Embarked personnel include Gertrude Bell, T.E. Lawrence, Marlon Brando, Isabella d'Este and Lucrezia Borgia, Solomon and the Queen of Sheba, George Bernard Shaw and the Gonzagas. Thematically, the poems alight at Greek mythology, gender, the evergreens of love, ang...

This bilingual (German / English) chapbook of 20 poems makes for an exciting introduction to Kathrin Schmidt's work. Thanks to Sue Vickerman's daring translations, we are able to appreciate Schmidt's irrepressible poetic style as she ranges across the themes of gender, identity, the body, eroticism, her own personal history and language itself.

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Camp Notebook is a masterpiece in its own right, a crucial work of European verse. It is one of the greatest pieces of literature to emerge from the Holocaust, and probably the finest volume of poetry born from the horror of the Second World War."... in a tiny concealed notebook, [the poet] wrote his "last and finest poems. In 1944, Radnóti was shot while being force-marched towards Germany and his body, exhumed from a ditch after the war, was...

This is Gerður Kristný's third collection from Arc and the third of the trilogy which already comprises the highly-acclaimed Bloodhoof and Drápa. In all three poetic sequences, the poet employs the archaic form of the saga to conjure up razor-sharp dark and bewildering images of the fates of women in a world where the boundaries between life and death and what lies beyond are unclear. In this particular sequence, Gerður Kristný gives a voice t...

Fate's Little Pictures is a bilingual poetry pamphlet by Larissa Miller, published by Arc Publications.

The poet Ian Crockatt uses the same highly-wrought form here developed by the Skalds (the professional poets employed by the kings and earls of the Viking courts of the 9th to 13th centuries) to tell a quasi-Viking tale set in the landscapes and seascapes once under Viking control.

Mila Haugova has written a moving book about the farewell of loved ones and the slipping away of one's own life. Re-encounter and farewells are one in Haugova's poetry: there are intimate companions in the absence of loved ones, in the acceptance of their disappearance, which over time develop a cathartic force that makes possible new love.

Whether in poetry, fiction, radio drama or sound installations, Esther Dischereit's work represents a unique departure in recent European writing: a distinctive, off-beat syntax of German-Jewish intimacy with the fractured consciousness and deeply rutted cultural landscape of today's Germany.

Jan Baeke, the award-winning Dutch poet, has, in Bigger Than The Facts (Groter dan de feiten, 2007), created an intriguing filmic world in which tensions are rife and nothing is quite as it seems. It is a world whose elements keep recurring, coalescing little by little into dreamlike leitmotifs - a bus journey, a hotel room, dogs, cigarettes, fire, a blind man, a canary, a man and a woman in love. And love, however fragile it may be, is a majo...

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