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These Classroom Resources provide materials that outline key theories and ideas, and tasks and activities that encourage students to explore, discuss and analyse key texts, using familiar and accessible texts.

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In this Devil's Advocate, Peter Turner tells the story of the film from his conception and production then provides a unique analysis of the techniques used, their appeal to audiences and the themes that helped make the film such an international hit, including the pionerring internet marketing.

Despite its reputation as one of the greatest and most influential of all horror films, there is surprisingly little literature dedicated to Mario Bava's Black Sunday (1960), and this contribution to the Devil's Advocates series is the first single book dedicated to it.

The Devil's Backbone (2001) is a Gothic film written and directed by Guillermo del Toro (Pan's Labyrinth, 2006). Studying The Devil's Backbone explores the narrative of the film in relation to central concerns, such as genre, theme, iconography, representation, and film language.

Rona Murray places modern independent cinema within the general history of American independent cinema.

For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s, " while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen.

Unravels the never-ending fascination exercised by the film and provides a clear guide to the film's contexts, cinematography, and possible interpretations, covering the political and social contexts.

Ridley Scott's Blade Runner is now widely recognised as a masterwork of science fiction cinema, and one of the most influential of any films released in the last twenty-five years. In Studying Blade Runner, Sean Redmond uses the key concepts of Media and Film Studies& mdash, Film Language, Representation, Institutions and Audiences& mdash, to explore the many significances of the film: Its breakthrough use of special effects as a narrative too...

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Michael Mann is a formidable filmmaking personality. This book ranges not only over his films--from 1979's The Jericho Mile to 2015's Blackhat--but also over the scope of intellectual interests they exemplify to mine the commonalities, themes, and traits that may suggest the presence of an auteur.

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Sean Redmond excavates the many significances of Blade Runner (1982): its breakthrough use of special effects as a narrative tool, its revolutionary representation of the future city, its treatment of racial and sexual politics, and its unique status as a text whose meaning was fundamentally altered in its re-released forms.

This collection re-imagines the study of English and media in a way that decentralises the text (e.g. Across the chapters, the authors present applicable learning and teaching strategies that weave together art works, films, social practices, creativity, 'viral' media, theater, TV, social media, videogames, and literature.

This is one of the best study guides that I have seen... you would be foolish indeed to ignore this guide." -- "In the Picture

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A film studies guide to this 'focus film' for A-Level students.

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