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An expansive dialogue between old and new forms of emancipatory artThe 58th Carnegie International traces the geopolitical footprint of the US since 1945 to suggest a historical ground for the images, ideas, objects and people that shape and desire emancipatory expressions and artworks, contextualizing conversations around migration, representation, appropriation and decolonization. This 424-page publication features two dialogical tracks: a h...

Published on the occasion of the museum's 125th anniversary, the 'Carnegie Museum of Art Collection Handbook' features images of more than 200 works from the collection and essays by museum staff, past and present, that reveal the stories behind their creation and acquisition. Color images of previously unpublished archival materials trace the history of the museum from the late 19th century, when founder Andrew Carnegie established the Carneg...

The complicity of the image: photography at the intersection of police surveillance, corporate/state control and artificial intelligenceHow are images being utilized to gather data on our daily activities? With the development and advancement of artificial intelligence, there has been a radical change in the way surveillance systems capture, categorize and synthesize photographs. Mirror with a Memory explores the intersection between AI, photo...

This paperback reprint of the second edition of Peter Grant's guide to the identification of gulls, brings this classic of modern field ornithology to an even wider audience than ever before. Long a favorite reference for the avid birder, it unlocks the secrets of the complex details of gull plumage, so variable in the successive age classes of the different species. Now it is possible to get to grips with those previously unidentifiable juven...

The Dispatch is the second of two publications accompanying the 2018 Carnegie International, 57th Edition. Intended as a missive that sends the exhibition out into the world, this slim scholarly volume stands as a document of the show, through photographs and a checklist of the exhibition and its programs. In addition, it reflects forward, by presenting a series of studies on the relevance of an international exhibition today. Local, national ...

Carnegie Museum of Art has presented its International since 1896--just a year after the first Venice Biennale. Inaugurated by museum founder, Andrew Carnegie, to inspire local audiences and artists, the exhibition was intended to position Pittsburgh as a center of not only industry but modern culture. The 57th iteration of the exhibition is organized by Ingrid Schaffner, a curatorial innovator--and Pittsburgh native--known for her intensely r...

Hack the Grid documents a series of large-scale light installations produced in Pittsburgh by New Mexico-based environmental artist Andrea Polli (born 1968), using the city's long history of energy and industry to interrogate issues from particulate pollution to wind power.

Dan Leers is Curator of Photography at the Carnegie Museum of Art, Pittsburgh. Professor Larry J. Schaaf is the Director of the William Henry Fox Talbot Catalogue Raisonn¿ foxtalbot.bodleian.ox.ac.uk ¿ an online resource of the Bodleian Libraries.

This book is published on the occasion of the exhibition Michael Williams, curated by Eric Crosby and organized by Carnegie Museum of Art, Pittsburgh, April 20-August 27, 2017.

Published to coincide with an exhibition held at Carnegie Museum of Art, Pittsburgh, Penn., Feb. 26-June 5, 2011.

Using photography as a language, Shannon Ebner (born 1971) examines the signs, symbols, letters, words and graphical icons we encounter in the world. Auto Body Collision documents Ebner's most recent ongoing project, a multipart series of photographs that began on a trip to Italy in 2014. Ebner has been collecting language taken from signs, seeking out repetitions of terms such as "Auto Body Collision" and "Automotive." In dissecting found lan...

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Edited by Douglas Fogle. Text by Daniel Birnbaum, Richard Flood, Eungie Joo, Chus Martinez.