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Backyard mysticism with a dash of scalding absurdity, James Shea's second collection is by turns wry, wrenching, and utterly real.

A portrait in poems of the back-to-the-land movement of the '70s: the hippies and hicks, addictions and attempts at recovery.

Disjunctive lyricism and visual reorientation make the real world frighteningly unnatural in this third collection by Alberta Prize-winner Laura Sims.

Keine Beschreibung.

Wagner proclaims a generative finitude. She's in love with the world and its transactions, full of song yet brazenly topical.

Rat-a-tat prosody and scattershot, hallucinatory cultural critique, replete with grotesqueries, spit baroquely from the necropastoral ground of McSweeney's third collection.

Fresh, fun, fast--these lunchtime playlet-sonnets feature unexpected persons speaking in direct and indirect relation to one another, making meanings.

A debut collection of unusual surefootedness and force. These are sexy, wise poems about desire, selfness, music, and time.

Weird and wired, the poems in Philip Jenks' third collection scintillate with lyric absurdity and strange grace.

Poems of a distortional humanity. Poems with teeth, scraping furrows into the imagination, evoking the inferno of the ordinary.

Paul Maliszewski assembles a world of searchers, worriers, and talkers kept at the brink of prayer by dilemma and hope.

Outsider, outrider, and outlier, Daniel Brenner writes short, acidic, penetrable lines that perform what Fanny Howe calls the "ecstatic lash.

A missing masterpiece in 20th century experimental literature, Clark Coolidge's legendary 'Longprose' was written at a frenetic pace between 1973-1980.One of poetry's greatest acts of radical endurance and a major departure in style for Coolidge, this work, even without publication had a deep influence on the Language Poetry and New York Schools of Poetry, improvisational jazz, even painting. At over 500 pages of sustained, exhilarating prose,...

Fables of selfhood in the form of whirling yet intimate poems, from the latest winner of the National Poetry Series.

A major experimentalist digs up her rural roots in this portrait of flowery but never sweet dynamic regionalism.

Eyelid Lick is a pop treatise on sustainable communication, on the vital language that can survive outside our dreamy consciousnesses.These long, loose, sometimes runny poems bear out psychedelic experience, they open like the doors of perception and give onto a vista of communion-through-language. There are speakers and speeches, there is the sensation of the lick, and the sensation of being licked, and if both agents know each other well eno...

These actions are deceptively mellow, with nary a narrative arc in sight they mime brain-scrambled, conceptually far-reaching, experientially shorthanded speech-moments.

One of America's most idiosyncratic and quixotic poets returns to form with this collection of relentless, hilarious, and visionary sonnets.

What happens when a young gun, awash in the uppermost detritus, thinks they can speak out loud, and in tongues?

The figure of emotional temperature predominates. The formula: hot content, cold treatment. Three of these are spoken by Miss Chiquita.